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Atari 520st EQUIPMENT
The original music
was made using an
Atari 520st with the
midi software Pro-
The original music was made using an
Atari 520st with the midi software Pro-
24 by Steinberg. The computer had 2
built in midi ports which I connected my
24 by Steinberg. The computer had 2 built
in midi ports which I connected my synth
and drum machine to. I bought the Yamaha
DS55 FM-synth which was released in 1988
and had 4 op with only 8 voices of
polyphony which was pretty limiting. So if
synth and drum machine to. I bought the Yamaha DS55 FM-
synth which was released in 1988 and had 4 op with only 8
voices of polyphony which was pretty limiting. So if you for
example played a
chord on one channel
you had only 5 voices
left for the others.
That made the music
Yamaha DS55
you for example played a chord on one
channel you had only 5 voices left for the
others. That made the music a bit
minimalistic becuse of that. Not like
nowdays where we do everything on the
computer, with access to more channels
and instruments than many times needed.
You can almost do anything. The high end
synthezisers back then could offer more
channels and possibilties, but they were
too expensive for a beginner like me. So to
begin with, it was good enough. For drums
a bit minimalistic becuse of that. Not like nowdays where we
do everything on the computer, with access to more channels
and instruments than many times needed. You can almost do
anything. The high end synthezisers back then could offer
more channels and possibilties, but they were too expensive
for a beginner like me. So to begin with, it was good enough.
Yamaha RX11 I bought a Yamaha
RX11 drum machine
which was fully digital
with PCM based
samples. It was
released in 1984.
Yamaha RX11 For drums I bought a Yamaha RX11
drum machine which was fully digital
with PCM based samples. It was
released in 1984. I found out much later
that this model was actually used by
Erasure for the album wonderland. So
I found out much later that this model was
actually used by Erasure for the album
wonderland. So that's pretty cool. It had 16
pads and 39 sounds that you could tweak
the sounds on. It had a swing function too,
but at the time I didn't use it. I guess it was
just a lack of knowledge. So now I needed
a mixer to route the output audio signal to
from the two instruments. So I got hold of a
brand I don't remember the name of, and
I've really tried to find out, by doing an
extensive search on internet with no luck.
So there is no picture of the mixer. But it
was a simple 5 channel dj-mixer with two
VU meters and a few knobs. But it filled it's
that's pretty cool. It had 16 pads and 39 sounds that you could
tweak the sounds on. It had a swing function too, but at the
time I didn't use it. I guess it was just a lack of knowledge. So
now I needed a mixer to route the output audio signal to from
the two instruments. So I got hold of a brand I don't remember
the name of, and I've really tried to find out, by doing an
extensive search on internet with no luck. So there is no
picture of the mixer. But it was a simple 5 channel dj-mixer
with two VU meters and a few knobs. But it filled it's function.
Boss RDD-20 function. The synth
had a built in delay
effect, but it wasn't
The synth had a built in delay effect, but
it wasn't good enough, so I bought the
Boss RDD-20 which sounded great, but
good enough, so I bought the Boss RDD-20
which sounded great, but I had to sync it
manually to the song by adjusting the
range and the fine knob. Today we take
auto sync for granted. The reverb I used
I had to sync it manually to the song by adjusting the range
and the fine knob. Today we take auto sync for granted. The
was an Alesis
microverb II which
was very good and
affordable. It had
large to small hall/
Alesis microverb II reverb I used was an Alesis microverb II
which was very good and affordable. It
had large to small hall/room reverb and
also gated reverb which was a common
effect to use in the 80's music.
room reverb and also gated reverb which
was a common effect to use in the 80's
music. Especially on the snare drum. I then
recorded my music on to a Vector
Especially on the snare drum. I then recorded my music on to
Vector research vcx-250 research cassette
deck with dolby B or
C for noise
reduction. It also
had a VU meter and
a Vector research cassette deck with
dolby B or C for noise reduction. It also
had a VU meter and a control for the
incoming recording volume. And that
setting varied based on the type of
a control for the incoming recording
volume. And that setting varied based on
the type of tape you used. Myself, I used
chrome tapes which was the second best after metal tapes at the time.
tape you used. Myself, I used chrome tapes which was the
second best after metal tapes at the time.

Steinberg Pro-24 HISTORY
Needless to say, my
inspiration came from
the synth pop and
synth music at the
time period. The
Needless to say, my inspiration came
from the synth pop and synth music at
the time period. The 80's music is
something that even todays young
generation appreciate. So, I was listening
80's music is something that even todays
young generation appreciate. So I was
listening very carefully to other artists
songs to get an idea of how they were
structured. Today you have the advantage
of having almost unlimited access to
information and tutorials on how to create
music thanks to internet. But I had to do it
by trial and error because I didn't want to
pay for an education. It was only a hobby
of mine and stubborn as I am, I wanted to
figure it out for myself. To this date I have
no musical education and I can't read
music notes so I go by ear to hear if it
sounds right. I have always loved listening
to music and keeping up with the latest.
But making music myself, first caught my
interest when I was a teenager and my
father bought me the Commodore 64
around 1984. I was mainly learning to code
or play games on it in the beginning. But
then I came a cross a software for making
music and I was hooked. But it took me
until 1988 before I could afford to buy the
equipment I needed to get enough quality
and channels to build a song. And 3
very carefully to other artists songs to get an idea of how they
were structured. Today you have the advantage of having
almost unlimited access to information and tutorials on how to
create music thanks to internet. But I had to do it by trial and
error because I didn't want to pay for an education. It was only
a hobby of mine and stubborn as I am, I wanted to figure it out
for myself. To this date I have no musical education and I can't
read music notes so I go by ear to hear if it sounds right. I
have always loved listening to music and keeping up with the
latest. But making music myself, first caught my interest when
I was a teenager and my father bought me the Commodore 64
around 1984. I was mainly learning to code or play games on it
in the beginning. But then I came a cross a software for
making music and I was hooked. But it took me until 1988
before I could afford to buy the equipment I needed to get
enough quality and channels to build a song. And 3 months
months later I fini-
shed my first song.
It took some time
because I was still
learning the basics.
I remember building
Steinberg Cubase 5 later I finished my first song. It took some
time because I was still learning the
basics. I remember building a loop and
then delete it and do this over and over
again. And that's what I basically did for
all that time before I managed to finish
a loop and then delete it and do this over
and over again. And that's what I basically
did for all that time before I managed to
finish a whole song. I could come up with
a loop with all the instruments but I
struggled to move forward with the
arrangement. So it was definitely a
learning curve but it was fun. I was
influenced by many artists and genres at
the time. To mention a few, I would say,
Erasure, Yazoo, Depeche mode, Koto and
much more. But also classical and film
music too. Some of my friends have
suggested that I put up the original songs,
but the sound quality is just too bad.
That's because of the degradation of the
tapes over time until i finally made a digital
recording from them around 1998. You can
sometimes also hear the music vary from
one ear to the other. I just keep them on
my computer for sentimental value. So to
make justice to the original when I did the
remake, I tried to use the same, or as close
to the same instruments that I could. I
didn't want to use layering of instruments
to make it sound bigger, instead I wanted
to have the same limitations on the
number of instruments that I had back
then. But I've used modern effect plugins
to enhance the sound. The main goal is a
noise-free and clear quality that you can
get from a modern recording
a whole song. I could come up with a loop with all the
instruments but I struggled to move forward with the
arrangement. So it was definitely a learning curve but it was
fun. I was influenced by many artists and genres at the time.
To mention a few, I would say, Erasure, Yazoo, Depeche mode,
Koto and much more. But also classical and film music too.
Some of my friends have suggested that I put up the original
songs, but the sound quality is just too bad. That's because of
the degradation of the tapes over time until i finally made a
digital recording from them around 1998. You can sometimes
also hear the music vary from one ear to the other. I just keep
them on my computer for sentimental value. So to make
justice to the original when I did the remake, I tried to use the
same, or as close to the same instruments that I could. I didn't
want to use layering of instruments to make it sound bigger,
instead I wanted to have the same limitations on the number
of instruments that I had back then. But I've used modern
effect plugins to enhance the sound. The main goal is a noise-
free and clear quality that you can get from a modern
Dexed vst and that's it. The
synth I use is called
Dexed and it's a free
vst plugin. It's a very
good emulation of the
Yamaha DX7. There is
also the old FM7 or
recording and that's it. The synth I use is
called Dexed and it's a free vst plugin. It's
a very good emulation of the Yamaha
DX7. There is also the old FM7 or FM8
from Native instruments that can actually
read soundbanks from my old hardware
synth and that's what I tried to use initi-
FM8 from Native instruments that can
actually read soundbanks from my old
hardware synth and that's what I tried to
use initially but there was a big issue with
stability and compatibility because it's an
old software. The drums I use are original
samples from the Yamaha RX11 and the
DAW is Cubase. You will have songs that
are both vocal and instrumental and the
genre will vary a bit. Because the music
here is from the early years when I started
out, I like to put it out there just for fun and
for free! The songs on this site will start
from 1988 and will eventually stretch to
1996 when all the remakes are finished. I
do a remake little now and then, when I
don't have any new project going on.

Enjoy!
ally but there was a big issue with stability and compatibility
because it's an old software.The drums I use are original
samples from the Yamaha RX11 and the DAW is Cubase. You
will have songs that are both vocal and instrumental and the
genre will vary a bit. Because the music here is from the early
years when I started out, I like to put it out there just for fun
and for free! The songs on this site will start from 1988 and
will eventually stretch to 1996 when all the remakes are
finished. I do a remake little now and then, when I don't have
any new project going on.

Enjoy!